Youth

University of Southern California, Digital Library

The Digital Library of the University of Southern California (formerly known as the Digital Archive, formerly known as ISLA) is an ongoing project that is building a virtual library of digitized multidisciplinary materials much of which has a focus on the Los Angeles region. Its search and retrieval software will allows these materials to be accessed using the parameters of space, time, keyword, format, or collection. The Digital Library includes: Images selected from maps and historical newspapers in the Huntington Library’s collection, including color maps created by the Works Progress Administration (WPA) in 1939, the Spanish-language newspaper El Clamor Publico (1855-1859), and the Los Angeles Star (1852-1863); photographs and maps from the Automobile Club of Southern California (1892-1963); photographs of artifacts from the archaeological collection (1880-1933) of the Chinese Historical Society of Southern California; and from the University of Southern California’s collections, including the California Historical Society Collection (photographs of Los Angeles, 1860-1960), the Hearst Collection (news photographs from the Los Angeles Examiner, 1920-1961), the Whittington Collection (commercial and architectural photographs, 1924-1987), the East Asian Library (Korean-American documents, photographs, and oral histories), the Gamble House in Pasadena (architectural drawings, photographs and other documents relative to the Greene & Greene architects) (1888-1944); Texts such as manuscript documents pertaining to the activities of the Los Angeles Ayuntamiento and City Council (Los Angeles City Archives, Untitled Records Series, 1820s-1890s), newspaper clippings from the Los Angeles Examiner (1920-1961), and master’s theses and doctoral dissertations about Los Angeles written by students at the University of Southern California (1920s-1990s); Data from the historical federal censuses though 1990 and the WPA’s household survey of 1940. Because the Digital Library has arranged to digitize materials that are the intellectual property of various individuals and institutions, the downloading of some items may be subject to restrictions.

Visual Communications

Based in the Little Tokyo area of Downtown Los Angeles, VC was founded in 1970 by a group of pioneering independent filmmakers to record, collect, and preserve a visual record of Asian Pacific American cultural heritage. VC originally worked as a film collective, concentrating on honestly portraying accurate images of Asian Americans and meticulously capturing pivotal social movements. VC produced groundbreaking works about the Asian American experience, including: CHINATOWN 2-STEP, a documentary on the suburbanization of Chinese American community in Los Angeles and the role of the Chinatown Drum and Bugle Corps; MANONG, a film on the first generation Filipino American immigrants; and WATARIDORI, a documentary on early Japanese American immigrant pioneers. VC published three books, In Movement: A Pictorial History of Asian Pacific America, Little Tokyo: One Hundred Years in Pictures, and Moving the Image: Independent Asian Pacific American Media Arts. Productions were used for education and activism that addressed setting up ethnic studies programs on local campuses, city redevelopment issues, the redress campaign for Japanese Americans interned during World War II, and the declaration of martial law in the Philippines. VC’s own past in all media, narrative films, documentaries and educational projects are intertwined with the Asian Pacific American movements of the 1970s, and in itself represents a rich resource for researchers of the Asian Pacific American movements. The Archives’ purpose is to document the history of the organization by organizing, preserving, and creating access to a variety of media art and primary materials recording impactful political moments and depicting the Asian Pacific American heritage for staff use, as well as by scholars who are interested in Visual Communications’ role in the Asian American communities and history. The holdings include over 300,000 photographic images, 1,500 titles in the Media Resource Library, 100 films and videos produced by Visual Communications, and over 1,000 hours of oral histories of pan-Asian Pacific American content. As a valuable resource of Asian media art representations, The Archives is open to a wide variety of users, and we encourage the public, artists, filmmakers, students, faculty and others to pursue an intercultural understanding of the Asian American heritage. VC’s vision for the archives is to accurately reflect and represent the diversity of the American populace and to cement Asian Pacific American experiences in the historical record through the preservation, access, and dissemination of our materials, which provide historical context and insight of Asian Pacific American influence not only for Asian Pacific Americans, but also for all Americans. Please refer to our list of holdings for more information: http://fromthevcvault.wordpress.com/vc-archives-collections/

Whittier Public Library History Room

The Whittier History Room is located on the mezzanine of the Central Library and is home to the Whittier Local History Collection. The purpose of this collection is to collect, preserve and make available to the public materials reflecting the development of the City of Whittier and surrounding areas. The main areas of collection are Whittier history, Whittier Hills and California history. The Whittier history collection includes Whittier College yearbooks, local high school yearbooks, Whittier City Directories, local telephone books, Haines Directories, and titles by local authors. The entire book collection is cataloged and searchable through the online catalog. There are various files and archives supporting both the Whittier Hills and the Whittier History collections. These consist of clipping files, periodicals, pamphlets and ephemera. Finding aids are available in Archives that list all items with a brief description. Selected materials have been digitized and are available in the Visual Collection. The Map Collection contains over 250 maps. A listing of the entire collection can be found on this website. A selection of these maps has been digitized and is available online. The Whittier Historical Photograph Collection is a collection of photographs of Whittier, the surrounding areas and its people. It is made up of several smaller collections such as the Espolt, Whittier National Trust & Savings Bank, and (most recently acquired) the White-Bailey, as well as individual gifts. This collection continues to grow and we encourage any donations that would broaden and enhance its scope and depth. The Shades of Whittier Collection was created in 1999 with funding from the federal Library Services & Technology Act (LSTA). It is a collection of photographs reflecting the ethnic and cultural diversity of the community. The 301 photographs in the collection were donated by numerous individuals and depict not only the local area, but also the many geographic areas that the people of Whittier came from. The Oral History Collection includes oral histories, video interviews and written transcripts. The older oral histories were done during the 1960s and ‘70s and include many old Whittier family names such as Perry, Tebbetts, Myers, Milhouse and Hodge. In the late 1990s, as part of the Whittier Hills collection, a series of interviews was conducted with individuals active in the preservation of the Whittier Hills. The more recent interviews are done in video format. The Local Newspaper archives are digitized from 1888-1955 and are keyword searchable. 1888-1923 are available on the web. 1924-1955 is restricted to library use only. 1956 to current is available on microfilm, for library use only. Lastly, a list of Local History Resources has been provided. This list includes links to local history organizations and relevant city departments that strive to conserve not only historic structures and neighborhoods but also natural resources of the City and surrounding hills. The Community Development website includes a listing of the City's historic landmarks and districts.

Academy of Motion Picture Arts and Sciences, Academy Film Archive

The Academy Film Archive is part of the Academy Foundation, the educational and cultural arm of the Academy of Motion Picture Arts and Sciences. Dedicated to the appreciation, study and preservation of our motion picture heritage, the Archive's activities include collection, preservation, documentation, exhibition and research access to films. The Academy announced its plan to collect motion pictures upon its founding in 1927 and made its first film acquisition two years later, in 1929. The Archive’s collection now includes over 140,000 items, covering some 70,000 individual titles. Many items within the Archive’s collection relate to the Los Angeles region, including: • Film and video documenting the history of the Academy and the Academy Foundation, including its public programs, lectures, symposia, and presentations. • Film, kinescope and videotape of Academy Awards ceremonies extending back to 1949, along with additional news material and special coverage of the awards show. • Films and film programs associated with the Student Academy Awards – a great number of which originate from Los Angeles film schools. Ongoing film festival collections, including the Latino International Film Festival and the PXL This! Pixelvision Film Festival Documentary film holdings include the collection of the International Documentary Association. Many of our documentary holdings feature subjects that are Los Angeles specific. Visual effects and technical achievements - through submissions for the Academy Awards process the Archive has acquired a substantial collection of visual effects reels, makeup and sound test reels, and film and video documentation of the Academy's Scientific and Technical Awards. Many materials from this collection were produced and crafted in the Los Angeles region. Home movies and amateur films, particularly those related to the history of Hollywood, the motion picture industry, and the history of the Los Angeles region.

C. G. Jung Institute of Los Angeles, Max and Lore Zeller Library

The Max and Lore Zeller Library provides a specialized collection (including rare books) of over 6,500 volumes on Jungian psychology and related subjects: sandplay therapy, general psychology, anthropology, mythology, religion, alchemy, art and symbolism. The extensive book collection, 800 audio CDs, videotapes and DVDs, and 16 journals are available to the analytic community and the general public through an affordable membership fee. Library membership provides onsite access to the Archive for Research in Archetypal Symbolism (ARAS). Drawing upon C.G. Jung’s work on the archetype and the collective unconscious, ARAS is a pictorial and written archive of mythological, ritualistic, and symbolic images from all over the world and from all epochs of human history. The archive contains over 17,000 photographic images, each cross-indexed, and accompanied by scholarly commentary. The commentary includes a description of the image that serves to place it in its unique historical, cultural, and geographical setting. The ARAS commentaries honor both the universal patterns and specific cultural context associated with each image. The librarian is available to help steer readers toward their particular interests.

Group SC 2009, An Intimate View of Southern California

1000 image , Color, HD digital archive by 50 artists working and living in Southern CA. Under the direction of Helen K. Garber and in collaboration with MINARC/Gallery Skaart, each artist documented their residential city over the course of the year 2009 and each story was edited to 20 images by Nancy-Louise Jones and presented as part of the Group SC 2009 Installation. 4 rear projection screens were set up at 90 degree angles surrounding the center projection hub consisting of a 1955 trailer. The was found abandoned in the forest in Idyllwild, reclaimed and refurbished as a mixed media mobile projection hub. Duce, a renowned LA based graffiti writer, created a 4 side mural depicting the economic climate of the time, now nicknamed, the Great Recession. Miss Lucy the trailer, now resides in the permanent collection of the San Diego Automotive Museum, Balboa Park. The inaugural installation was at Opening Night, Month of Photography, 2010, Bergamont Station, Santa Monica, CA, Autumn Lights Festival, Pershing Square, 2010 and the Medium Festival of Photography, San Diego, 2013. The installation was designed to break down and move easily. The original concept was to exhibit the installation at all locations covered and then drive the installation across the country to the George Eastman House in Rochester, NY. Photographers used to go on a journey and bring back the documentation to home, here we reversed the concept by bringing the documentation of the photographers' homes on a journey. We also wanted to invite the artists to join in the journey, document along the way, create a sequel exhibition. Miss Lucy travelled no further than San Diego as monies were not to be found for cultural pursuits during the Great Recession, the project was set aside, and the trailer/screens donated to the San Diego Automotive Museum. The collection still owns the 4 projectors and DVD players that are needed to present the installation. Artists and cities covered: NORTH William Cates: Santa Ynez Valley Attasalina Dews: Ojai Kyoshi Becker Mckizzie: Antelope and Santa Clarita Valleys Colleen Caamaño/Joe Keppler: Shadow Hills Judith Ann Warren: Eagle Rock/Glendale Titano Cruz: Balboa Park Humming Birds, Encino Donald Loze: Santa Monica Mountains Lillian Elaine Wilson: Commuting: Burbank – Brentwood Rae Threat: North Hollywood Rose-Lynn Fisher: Abandoned Couches, Hollywood First Shots Fired: Hollywood Meg Madison: Hancock Park/Westlake WEST Jonas Jungblut: Isla Vista Jane Gottlieb: Santa Barbara Vinit Satyavrata: Ventura Joe McDougall: Malibu Cindy Bendat: Santa Monica Pier Helen K. Garber: Ocean Park, Santa Monica Nancy Louise Jones: Venice Chris Quilisch: Venice Alleyways Sara Jane Boyers: Santa Monica Airport Aline Smithson: West Los Angeles, Westwood, Cheviot Hills Nick Martinez: West Hollywood EAST Andrew Ty Lee: Koreatown Kiet Thai: Chinatown First Shots Fired: Downtown Los Angeles Stuart Rapeport: North Figueroa St, Highland Park Leslie Rosenthal: Rose Parade, Pasadena Don Davidson: Redlands Elizabeth Walker: Apple Valley/Victorville Rex Bruce: Twentynine Palms Nancy Baron: Palm Springs Jonde Northcutt & Helen K. Garber: Idyllwild SOUTH Dingo: Tattoo Parlors Nancy Louise Jones, Helen K. Garber: Trailers Shelley A. Gazin: Marina del Rey Tom Paiva: Culver City/Playa del Rey Ronnie Clark: Vermont Knolls, South Central Tom M. Johnson: Lakewood Nick Capaci: Santa Ana Jonde Northcutt: Santa Ana Gina Genis: Laguna Woods Retirement Community Lisa Folino: Newport Steven Churchill: San Diego At Night Thomas Antel: Anza Borrego TRAILER PAINTER Duce

Wende Museum

The Wende Museum collects artworks, artifacts, and personal histories that record daily life, creative expression, and political developments in Eastern Europe and the Soviet Union during the Cold War period. The collection comprises a variety of media including design objects, works on paper, ceramics, paintings, sculptures, posters, furniture, textiles, photographs, films, videos, sound recordings, books, periodicals, and archives. Special projects and collections relate these artifacts to Los Angeles history and its residents, including Cold War Culver City, documenting local historical sites from the Cold War, and From Red State to Golden State: Soviet Jewish Immigration to the City of Angels, an intergenerational oral history project and documentary film. We are also the repository for the oral histories collected by the Albanian Human Rights Project, a Los-Angeles-based organization dedicated to collecting, filming, and preserving the testimonies of Albanians who were politically imprisoned or interned from 1944-1991 during Albania’s communist regime.

American Jewish University, Ostrow Library & University Archives

The American Jewish University Archives are various collections of documents, pamphlets, letters, audio, films, publications, photographs, scrapbooks, and ephemera that document the history of the University of Judaism and the Brandeis-Bardin Institute which merged to become American Jewish University in 2007, depicting people, places and events at both campuses.

Los Angeles United Methodist Museum of Social Justice

The Museum of Social Justice is located in La Plaza Methodist Church, on the site of the oldest section of Los Angeles. The Museum’s historical collection consists of documents, photographs, artifacts, and other materials created by La Plaza Methodist Church at the beginning of the twentieth century. The collection features over 2000 photographs that capture the work of the founders of the church, its community center, and the predominantly poor Mexican immigrant population the church was founded to serve. The documents provide a look into the poor living conditions that existed near the Plaza and how La Plaza Church's social justice practices improved the lives of many of the immigrants living on and near the Plaza.

Yosemite National Park Archive

Several Los Angeles engineering and architectural firms were involved in the design of buildings, bridges, and other iconic features of Yosemite National Park. From 1923-1927, the National Park Service Landscape Division was located in the offices of the Underwood Building on Spring Street in LA. Architect Gilbert Stanley Underwood and Landscape Engineer Daniel P. Hull collaborated on several national park projects including the construction of Yosemite's Ahwahnee Lodge. Los Angeles resident and architect Charles T. Gutleben developed designs for cables on Half Dome, and his company also was involved in other Yosemite projects including the construction of the Rangers Club, the Yosemite Museum, Le Conte Memorial Lodge, and many of the bridges in Yosemite Valley. The Yosemite Archives contains correspondence, plans, and drawings referring to many of these projects.