Middle Eastern Descent

University of Southern California, Digital Library

The Digital Library of the University of Southern California (formerly known as the Digital Archive, formerly known as ISLA) is an ongoing project that is building a virtual library of digitized multidisciplinary materials much of which has a focus on the Los Angeles region. Its search and retrieval software will allows these materials to be accessed using the parameters of space, time, keyword, format, or collection. The Digital Library includes: Images selected from maps and historical newspapers in the Huntington Library’s collection, including color maps created by the Works Progress Administration (WPA) in 1939, the Spanish-language newspaper El Clamor Publico (1855-1859), and the Los Angeles Star (1852-1863); photographs and maps from the Automobile Club of Southern California (1892-1963); photographs of artifacts from the archaeological collection (1880-1933) of the Chinese Historical Society of Southern California; and from the University of Southern California’s collections, including the California Historical Society Collection (photographs of Los Angeles, 1860-1960), the Hearst Collection (news photographs from the Los Angeles Examiner, 1920-1961), the Whittington Collection (commercial and architectural photographs, 1924-1987), the East Asian Library (Korean-American documents, photographs, and oral histories), the Gamble House in Pasadena (architectural drawings, photographs and other documents relative to the Greene & Greene architects) (1888-1944); Texts such as manuscript documents pertaining to the activities of the Los Angeles Ayuntamiento and City Council (Los Angeles City Archives, Untitled Records Series, 1820s-1890s), newspaper clippings from the Los Angeles Examiner (1920-1961), and master’s theses and doctoral dissertations about Los Angeles written by students at the University of Southern California (1920s-1990s); Data from the historical federal censuses though 1990 and the WPA’s household survey of 1940. Because the Digital Library has arranged to digitize materials that are the intellectual property of various individuals and institutions, the downloading of some items may be subject to restrictions.

Academy of Motion Picture Arts and Sciences, Academy Film Archive

The Academy Film Archive is part of the Academy Foundation, the educational and cultural arm of the Academy of Motion Picture Arts and Sciences. Dedicated to the appreciation, study and preservation of our motion picture heritage, the Archive's activities include collection, preservation, documentation, exhibition and research access to films. The Academy announced its plan to collect motion pictures upon its founding in 1927 and made its first film acquisition two years later, in 1929. The Archive’s collection now includes over 140,000 items, covering some 70,000 individual titles. Many items within the Archive’s collection relate to the Los Angeles region, including: • Film and video documenting the history of the Academy and the Academy Foundation, including its public programs, lectures, symposia, and presentations. • Film, kinescope and videotape of Academy Awards ceremonies extending back to 1949, along with additional news material and special coverage of the awards show. • Films and film programs associated with the Student Academy Awards – a great number of which originate from Los Angeles film schools. Ongoing film festival collections, including the Latino International Film Festival and the PXL This! Pixelvision Film Festival Documentary film holdings include the collection of the International Documentary Association. Many of our documentary holdings feature subjects that are Los Angeles specific. Visual effects and technical achievements - through submissions for the Academy Awards process the Archive has acquired a substantial collection of visual effects reels, makeup and sound test reels, and film and video documentation of the Academy's Scientific and Technical Awards. Many materials from this collection were produced and crafted in the Los Angeles region. Home movies and amateur films, particularly those related to the history of Hollywood, the motion picture industry, and the history of the Los Angeles region.

C. G. Jung Institute of Los Angeles, Max and Lore Zeller Library

The Max and Lore Zeller Library provides a specialized collection (including rare books) of over 6,500 volumes on Jungian psychology and related subjects: sandplay therapy, general psychology, anthropology, mythology, religion, alchemy, art and symbolism. The extensive book collection, 800 audio CDs, videotapes and DVDs, and 16 journals are available to the analytic community and the general public through an affordable membership fee. Library membership provides onsite access to the Archive for Research in Archetypal Symbolism (ARAS). Drawing upon C.G. Jung’s work on the archetype and the collective unconscious, ARAS is a pictorial and written archive of mythological, ritualistic, and symbolic images from all over the world and from all epochs of human history. The archive contains over 17,000 photographic images, each cross-indexed, and accompanied by scholarly commentary. The commentary includes a description of the image that serves to place it in its unique historical, cultural, and geographical setting. The ARAS commentaries honor both the universal patterns and specific cultural context associated with each image. The librarian is available to help steer readers toward their particular interests.

Group SC 2009, An Intimate View of Southern California

1000 image , Color, HD digital archive by 50 artists working and living in Southern CA. Under the direction of Helen K. Garber and in collaboration with MINARC/Gallery Skaart, each artist documented their residential city over the course of the year 2009 and each story was edited to 20 images by Nancy-Louise Jones and presented as part of the Group SC 2009 Installation. 4 rear projection screens were set up at 90 degree angles surrounding the center projection hub consisting of a 1955 trailer. The was found abandoned in the forest in Idyllwild, reclaimed and refurbished as a mixed media mobile projection hub. Duce, a renowned LA based graffiti writer, created a 4 side mural depicting the economic climate of the time, now nicknamed, the Great Recession. Miss Lucy the trailer, now resides in the permanent collection of the San Diego Automotive Museum, Balboa Park. The inaugural installation was at Opening Night, Month of Photography, 2010, Bergamont Station, Santa Monica, CA, Autumn Lights Festival, Pershing Square, 2010 and the Medium Festival of Photography, San Diego, 2013. The installation was designed to break down and move easily. The original concept was to exhibit the installation at all locations covered and then drive the installation across the country to the George Eastman House in Rochester, NY. Photographers used to go on a journey and bring back the documentation to home, here we reversed the concept by bringing the documentation of the photographers' homes on a journey. We also wanted to invite the artists to join in the journey, document along the way, create a sequel exhibition. Miss Lucy travelled no further than San Diego as monies were not to be found for cultural pursuits during the Great Recession, the project was set aside, and the trailer/screens donated to the San Diego Automotive Museum. The collection still owns the 4 projectors and DVD players that are needed to present the installation. Artists and cities covered: NORTH William Cates: Santa Ynez Valley Attasalina Dews: Ojai Kyoshi Becker Mckizzie: Antelope and Santa Clarita Valleys Colleen Caamaño/Joe Keppler: Shadow Hills Judith Ann Warren: Eagle Rock/Glendale Titano Cruz: Balboa Park Humming Birds, Encino Donald Loze: Santa Monica Mountains Lillian Elaine Wilson: Commuting: Burbank – Brentwood Rae Threat: North Hollywood Rose-Lynn Fisher: Abandoned Couches, Hollywood First Shots Fired: Hollywood Meg Madison: Hancock Park/Westlake WEST Jonas Jungblut: Isla Vista Jane Gottlieb: Santa Barbara Vinit Satyavrata: Ventura Joe McDougall: Malibu Cindy Bendat: Santa Monica Pier Helen K. Garber: Ocean Park, Santa Monica Nancy Louise Jones: Venice Chris Quilisch: Venice Alleyways Sara Jane Boyers: Santa Monica Airport Aline Smithson: West Los Angeles, Westwood, Cheviot Hills Nick Martinez: West Hollywood EAST Andrew Ty Lee: Koreatown Kiet Thai: Chinatown First Shots Fired: Downtown Los Angeles Stuart Rapeport: North Figueroa St, Highland Park Leslie Rosenthal: Rose Parade, Pasadena Don Davidson: Redlands Elizabeth Walker: Apple Valley/Victorville Rex Bruce: Twentynine Palms Nancy Baron: Palm Springs Jonde Northcutt & Helen K. Garber: Idyllwild SOUTH Dingo: Tattoo Parlors Nancy Louise Jones, Helen K. Garber: Trailers Shelley A. Gazin: Marina del Rey Tom Paiva: Culver City/Playa del Rey Ronnie Clark: Vermont Knolls, South Central Tom M. Johnson: Lakewood Nick Capaci: Santa Ana Jonde Northcutt: Santa Ana Gina Genis: Laguna Woods Retirement Community Lisa Folino: Newport Steven Churchill: San Diego At Night Thomas Antel: Anza Borrego TRAILER PAINTER Duce

Go For Broke National Education Center

The Go For Broke National Education Center holds more than 1,150 life history interviews of Americans of Japanese ancestry who served in the United States Army in WWII. Many of the veterans interviewed were born and raised in Los Angeles and the surrounding area. Their videotaped interviews provide us with stories about the neighborhoods in which they lived and worked, the larger Japanese American Community in and around Los Angeles, both the Japanese and American cultures that shaped and molded their identity, values their parents taught them, a unique minority viewpoint of a pre-war and post-war Los Angeles, their experiences as soldiers in the U.S. Army in WWII and much more. Often the veterans contributed photographs and documents to complement their stories. The Go For Broke National Education Center would like to offer access to researchers, adding to the rich history of our city, our state and our country. Incorporated in 1989, Japanese American World War II veterans established the 100th/442nd/MIS WWII Memorial Foundation, now the Go For Broke National Education Center, to build the Go For Broke Monument. The Monument, the first of its kind on the mainland U.S., includes more than 16,000 names of Japanese American soldiers and officers who served overseas during World War II. It was unveiled in June 1999 and is located in downtown Los Angeles at Temple and Alameda streets. The Go For Broke National Education Center today focuses on providing a place and means by which all people can share their stories and recognize how the legacy of their lives contributes to the history of Los Angeles and the American ideals of freedom and equal opportunity for all. Go For Broke offers several programs to educate the public on this important time in history, including: A Tradition of Honor Teacher Training Program, Hanashi Oral History Program, Resource Center, Go For Broke Monument and other media projects. Go For Broke National Education Center is a 501(c)3 nonprofit organization.

Hugh M. Hefner Moving Image Archive

USC began its film program in 1929 and we house all the produced student films as well as Educational and Hollywood films dating back to the 1910's. Individual collections include unique production documents and ephemera, including photographs, set design art, legal documents. Many parts of Los Angeles have been represented such as Kent MacKenzies Bunker Hill 1956.

Getty Research Institute, Research Library

Located on the Getty Center campus in Brentwood, the Research Library at the Getty Research Institute focuses on the history of art, architecture, and archaeology from prehistory to the contemporary period. Presently, the collections are strongest in the history of western European art and culture in Europe and North America; however, in recent years, they have expanded to include other areas, such as Latin America, Eastern Europe, and selected regions of Asia. The library's foundation lies in its special collections of original documents and objects. Recent acquisitions and initiatives have documented developments during the postwar years in Southern California. The special collections include contemporary artists' photographers' by Los Angeles artists; archives and manuscripts of Southern California artists, writers, and curators such as Sam Francis, Robert Irwin, and Henry Hopkins; archives of art publications such as High Performance magazine; prints, drawings, and multiples, including a complete set of those produced by Los Angeles Contemporary Exhibitions; rare photographs and photographers’ archives, such as Charles Brittin's; architectural drawings and comprehensive archives such as John Parkinson's drawings for Union Station, the Walt Disney Concert Hall documentation, the Pierre Koenig and John Lautner archives, and the Julius Shulman Photography Archive highlighting Los Angeles architecture. Documenting the advanced art that put Los Angeles and Southern California on the map of the international art world, Long Beach Museum of Art Video Archive, now part of the Research Library's collections, contains close to 5000 tapes and supporting files.

Group LA 2008, An Intimate View of Los Angeles

25, 50 image stories that individual photographers created subjectively about their life and neighborhood in Los Angeles in the year 2008.The artists of GROUPLA 2008 include Geoffrey Baris, Larry Brownstein, Rose-Lynn Fisher, Lisa Folino, Helen K. Garber, Shelley A. Gazin, Monica Gazzo, Ken Haber, Robert Hale, David Healey, Mark Indig, Judy Lawne, Nancy-Louise Jones, Judy Lawne, Donald Loze, Meg Madison, Jim McHugh, David Meltzer, Ted Meyer, Rosalyn Miles, Tom Paiva, Stuart Rapeport, Leslie Rosenthal, Hamesh Shahani, Kiet Thai, Rae Threat and Lillian Elaine Wilson.

Glendale Community College

146 linear feet of historical materials related to the college and Glendale History including administrative documents, institutional records and publications, newspapers, clippings, yearbooks, scrapbooks, photographs, slides, videos, catalogs, class schedules, directories and memorabilia.

Center for Oral and Public History/California State University, Fullerton

Collections include 5,000+ oral histories in 250 projects, representing geographical, ethnic, political, religious, and social communities of selected Orange County, Los Angeles, Southern California, and Western US locales. Topics include community histories, environmental studies, including Sierra Club, Laguna Beach Greenbelt, Bolsa Chica, ethnic studies (African American, Native American, Mexican American, Japanese American, Judaica Studies, Vietnamese Americans), politics and government (Orange County politics, conservative women), society and culture (sulf culture, surf music, women with silicone breast implants, sports and society in Cold War Southern California, theater, baseball, women in long-term marriages, transformation of grocery stores, and new wave in Czechoslovakian film, 1990s UCI fertility clinic scandal, Mormon colonies in Mexico), just to name a few.