Mexican Descent/Chicano/Latino

The Margaret Herrick Library collects a wide range of materials documenting film as both an art form and an industry. Its holdings include photographs, posters, books, periodicals, screenplays, oral histories, and extensive clippings files on people, films, and companies. The clippings files are organized under five headings: production, biography, general subject, festivals and awards, and Academy history. The general subject files contain clippings and photographs regarding aspects of Los Angeles such as homes, studios, motion picture theaters, hotels, restaurants, nightclubs, Los Angeles as a location, educational and cultural institutions, theme parks, and landmarks; labor disputes and the formation of industry-related unions and guilds are also extensively documented in the general subject files. The Academy history files provide coverage of that very Los Angeles-based activity—the Academy Awards. The library's Special Collections contain materials relating to the careers of numerous directors, producers, actors, and other craftspeople and their filmmaking work in Los Angeles. Dating from the early 1900s to the present, the materials in Special Collections include scripts in various drafts, personal and business correspondence, production memoranda, sketches, clippings, music scores, recordings, scrapbooks, artifacts, and photographs.

The Southern California Library for Social Studies and Research primarily documents and preserves the history of twentieth-century radicalism and social change through progressive movements in the greater Los Angeles area. The materials held by the library relate to the labor, peace, social justice, civil rights, women’s, gay and lesbian, and various other grassroots movements. While the library’s print holdings—numbering approximately thirty thousand books and three thousand periodical titles—range well beyond the subject of Los Angeles to socialism, Marxism, and the Cold War, its special collections focus on Los Angeles. These collections include twenty-five thousand pamphlets, fifteen hundred posters, two thousand photographs, one hundred documentary films, one hundred videos, thirty-five hundred audio tapes, organizational files for Los Angeles and national grassroots groups, and extensive subject files containing newspaper clippings, magazine articles, and reports. Among the library’s major archival collections are the papers of civil liberties defender Leo Gallagher, California Eagle editor and publisher Charlotta Bass, and Southern California Library for Social Studies and Research founders Emil and Tassia Freed, as well as papers from the Los Angeles chapter of the Civil Rights Congress, the Los Angeles Committee for the Protection of the Foreign Born, the Los Angeles International Ladies Garment Workers Union, and the Los Angeles Congress of Industrial Organizations. The archival collections on the Watts Rebellion of 1965, the Los Angeles chapter of the Black Panthers, and Chicano activism are heavily used, as are the documentary films of the 1930s from the Film and Photo League and those of the 1960s from the Newsreel (SDS) collective. The library is committed to making its collections on the multicultural history of Los Angeles widely available and to working with other institutions and organizations to ensure that a broadly based historical record of the city’s people is preserved for future generations.

The Digital Library of the University of Southern California (formerly known as the Digital Archive, formerly known as ISLA) is an ongoing project that is building a virtual library of digitized multidisciplinary materials much of which has a focus on the Los Angeles region. Its search and retrieval software will allows these materials to be accessed using the parameters of space, time, keyword, format, or collection. The Digital Library includes: Images selected from maps and historical newspapers in the Huntington Library’s collection, including color maps created by the Works Progress Administration (WPA) in 1939, the Spanish-language newspaper El Clamor Publico (1855-1859), and the Los Angeles Star (1852-1863); photographs and maps from the Automobile Club of Southern California (1892-1963); photographs of artifacts from the archaeological collection (1880-1933) of the Chinese Historical Society of Southern California; and from the University of Southern California’s collections, including the California Historical Society Collection (photographs of Los Angeles, 1860-1960), the Hearst Collection (news photographs from the Los Angeles Examiner, 1920-1961), the Whittington Collection (commercial and architectural photographs, 1924-1987), the East Asian Library (Korean-American documents, photographs, and oral histories), the Gamble House in Pasadena (architectural drawings, photographs and other documents relative to the Greene & Greene architects) (1888-1944); Texts such as manuscript documents pertaining to the activities of the Los Angeles Ayuntamiento and City Council (Los Angeles City Archives, Untitled Records Series, 1820s-1890s), newspaper clippings from the Los Angeles Examiner (1920-1961), and master’s theses and doctoral dissertations about Los Angeles written by students at the University of Southern California (1920s-1990s); Data from the historical federal censuses though 1990 and the WPA’s household survey of 1940. Because the Digital Library has arranged to digitize materials that are the intellectual property of various individuals and institutions, the downloading of some items may be subject to restrictions.

The Whittier History Room is located on the mezzanine of the Central Library and is home to the Whittier Local History Collection. The purpose of this collection is to collect, preserve and make available to the public materials reflecting the development of the City of Whittier and surrounding areas. The main areas of collection are Whittier history, Whittier Hills and California history. The Whittier history collection includes Whittier College yearbooks, local high school yearbooks, Whittier City Directories, local telephone books, Haines Directories, and titles by local authors. The entire book collection is cataloged and searchable through the online catalog. There are various files and archives supporting both the Whittier Hills and the Whittier History collections. These consist of clipping files, periodicals, pamphlets and ephemera. Finding aids are available in Archives that list all items with a brief description. Selected materials have been digitized and are available in the Visual Collection. The Map Collection contains over 250 maps. A listing of the entire collection can be found on this website. A selection of these maps has been digitized and is available online. The Whittier Historical Photograph Collection is a collection of photographs of Whittier, the surrounding areas and its people. It is made up of several smaller collections such as the Espolt, Whittier National Trust & Savings Bank, and (most recently acquired) the White-Bailey, as well as individual gifts. This collection continues to grow and we encourage any donations that would broaden and enhance its scope and depth. The Shades of Whittier Collection was created in 1999 with funding from the federal Library Services & Technology Act (LSTA). It is a collection of photographs reflecting the ethnic and cultural diversity of the community. The 301 photographs in the collection were donated by numerous individuals and depict not only the local area, but also the many geographic areas that the people of Whittier came from. The Oral History Collection includes oral histories, video interviews and written transcripts. The older oral histories were done during the 1960s and ‘70s and include many old Whittier family names such as Perry, Tebbetts, Myers, Milhouse and Hodge. In the late 1990s, as part of the Whittier Hills collection, a series of interviews was conducted with individuals active in the preservation of the Whittier Hills. The more recent interviews are done in video format. The Local Newspaper archives are digitized from 1888-1955 and are keyword searchable. 1888-1923 are available on the web. 1924-1955 is restricted to library use only. 1956 to current is available on microfilm, for library use only. Lastly, a list of Local History Resources has been provided. This list includes links to local history organizations and relevant city departments that strive to conserve not only historic structures and neighborhoods but also natural resources of the City and surrounding hills. The Community Development website includes a listing of the City's historic landmarks and districts.

The Academy Film Archive is part of the Academy Foundation, the educational and cultural arm of the Academy of Motion Picture Arts and Sciences. Dedicated to the appreciation, study and preservation of our motion picture heritage, the Archive's activities include collection, preservation, documentation, exhibition and research access to films. The Academy announced its plan to collect motion pictures upon its founding in 1927 and made its first film acquisition two years later, in 1929. The Archive’s collection now includes over 140,000 items, covering some 70,000 individual titles. Many items within the Archive’s collection relate to the Los Angeles region, including: • Film and video documenting the history of the Academy and the Academy Foundation, including its public programs, lectures, symposia, and presentations. • Film, kinescope and videotape of Academy Awards ceremonies extending back to 1949, along with additional news material and special coverage of the awards show. • Films and film programs associated with the Student Academy Awards – a great number of which originate from Los Angeles film schools. Ongoing film festival collections, including the Latino International Film Festival and the PXL This! Pixelvision Film Festival Documentary film holdings include the collection of the International Documentary Association. Many of our documentary holdings feature subjects that are Los Angeles specific. Visual effects and technical achievements - through submissions for the Academy Awards process the Archive has acquired a substantial collection of visual effects reels, makeup and sound test reels, and film and video documentation of the Academy's Scientific and Technical Awards. Many materials from this collection were produced and crafted in the Los Angeles region. Home movies and amateur films, particularly those related to the history of Hollywood, the motion picture industry, and the history of the Los Angeles region.

The Max and Lore Zeller Library provides a specialized collection (including rare books) of over 6,500 volumes on Jungian psychology and related subjects: sandplay therapy, general psychology, anthropology, mythology, religion, alchemy, art and symbolism. The extensive book collection, 800 audio CDs, videotapes and DVDs, and 16 journals are available to the analytic community and the general public through an affordable membership fee. Library membership provides onsite access to the Archive for Research in Archetypal Symbolism (ARAS). Drawing upon C.G. Jung’s work on the archetype and the collective unconscious, ARAS is a pictorial and written archive of mythological, ritualistic, and symbolic images from all over the world and from all epochs of human history. The archive contains over 17,000 photographic images, each cross-indexed, and accompanied by scholarly commentary. The commentary includes a description of the image that serves to place it in its unique historical, cultural, and geographical setting. The ARAS commentaries honor both the universal patterns and specific cultural context associated with each image. The librarian is available to help steer readers toward their particular interests.

The Orange County Historical Society (OCHS) is a non-profit group which collects, preserves and shares the history of Orange County, California for the benefit of its members and the general public.

The Go For Broke National Education Center holds more than 1,150 life history interviews of Americans of Japanese ancestry who served in the United States Army in WWII. Many of the veterans interviewed were born and raised in Los Angeles and the surrounding area. Their videotaped interviews provide us with stories about the neighborhoods in which they lived and worked, the larger Japanese American Community in and around Los Angeles, both the Japanese and American cultures that shaped and molded their identity, values their parents taught them, a unique minority viewpoint of a pre-war and post-war Los Angeles, their experiences as soldiers in the U.S. Army in WWII and much more. Often the veterans contributed photographs and documents to complement their stories. The Go For Broke National Education Center would like to offer access to researchers, adding to the rich history of our city, our state and our country. Incorporated in 1989, Japanese American World War II veterans established the 100th/442nd/MIS WWII Memorial Foundation, now the Go For Broke National Education Center, to build the Go For Broke Monument. The Monument, the first of its kind on the mainland U.S., includes more than 16,000 names of Japanese American soldiers and officers who served overseas during World War II. It was unveiled in June 1999 and is located in downtown Los Angeles at Temple and Alameda streets. The Go For Broke National Education Center today focuses on providing a place and means by which all people can share their stories and recognize how the legacy of their lives contributes to the history of Los Angeles and the American ideals of freedom and equal opportunity for all. Go For Broke offers several programs to educate the public on this important time in history, including: A Tradition of Honor Teacher Training Program, Hanashi Oral History Program, Resource Center, Go For Broke Monument and other media projects. Go For Broke National Education Center is a 501(c)3 nonprofit organization.

1000 image , Color, HD digital archive by 50 artists working and living in Southern CA. Under the direction of Helen K. Garber and in collaboration with MINARC/Gallery Skaart, each artist documented their residential city over the course of the year 2009 and each story was edited to 20 images by Nancy-Louise Jones and presented as part of the Group SC 2009 Installation. 4 rear projection screens were set up at 90 degree angles surrounding the center projection hub consisting of a 1955 trailer. The was found abandoned in the forest in Idyllwild, reclaimed and refurbished as a mixed media mobile projection hub. Duce, a renowned LA based graffiti writer, created a 4 side mural depicting the economic climate of the time, now nicknamed, the Great Recession. Miss Lucy the trailer, now resides in the permanent collection of the San Diego Automotive Museum, Balboa Park. The inaugural installation was at Opening Night, Month of Photography, 2010, Bergamont Station, Santa Monica, CA, Autumn Lights Festival, Pershing Square, 2010 and the Medium Festival of Photography, San Diego, 2013. The installation was designed to break down and move easily. The original concept was to exhibit the installation at all locations covered and then drive the installation across the country to the George Eastman House in Rochester, NY. Photographers used to go on a journey and bring back the documentation to home, here we reversed the concept by bringing the documentation of the photographers' homes on a journey. We also wanted to invite the artists to join in the journey, document along the way, create a sequel exhibition. Miss Lucy travelled no further than San Diego as monies were not to be found for cultural pursuits during the Great Recession, the project was set aside, and the trailer/screens donated to the San Diego Automotive Museum. The collection still owns the 4 projectors and DVD players that are needed to present the installation. Artists and cities covered: NORTH William Cates: Santa Ynez Valley Attasalina Dews: Ojai Kyoshi Becker Mckizzie: Antelope and Santa Clarita Valleys Colleen Caamaño/Joe Keppler: Shadow Hills Judith Ann Warren: Eagle Rock/Glendale Titano Cruz: Balboa Park Humming Birds, Encino Donald Loze: Santa Monica Mountains Lillian Elaine Wilson: Commuting: Burbank – Brentwood Rae Threat: North Hollywood Rose-Lynn Fisher: Abandoned Couches, Hollywood First Shots Fired: Hollywood Meg Madison: Hancock Park/Westlake WEST Jonas Jungblut: Isla Vista Jane Gottlieb: Santa Barbara Vinit Satyavrata: Ventura Joe McDougall: Malibu Cindy Bendat: Santa Monica Pier Helen K. Garber: Ocean Park, Santa Monica Nancy Louise Jones: Venice Chris Quilisch: Venice Alleyways Sara Jane Boyers: Santa Monica Airport Aline Smithson: West Los Angeles, Westwood, Cheviot Hills Nick Martinez: West Hollywood EAST Andrew Ty Lee: Koreatown Kiet Thai: Chinatown First Shots Fired: Downtown Los Angeles Stuart Rapeport: North Figueroa St, Highland Park Leslie Rosenthal: Rose Parade, Pasadena Don Davidson: Redlands Elizabeth Walker: Apple Valley/Victorville Rex Bruce: Twentynine Palms Nancy Baron: Palm Springs Jonde Northcutt & Helen K. Garber: Idyllwild SOUTH Dingo: Tattoo Parlors Nancy Louise Jones, Helen K. Garber: Trailers Shelley A. Gazin: Marina del Rey Tom Paiva: Culver City/Playa del Rey Ronnie Clark: Vermont Knolls, South Central Tom M. Johnson: Lakewood Nick Capaci: Santa Ana Jonde Northcutt: Santa Ana Gina Genis: Laguna Woods Retirement Community Lisa Folino: Newport Steven Churchill: San Diego At Night Thomas Antel: Anza Borrego TRAILER PAINTER Duce

The Mojave Desert Archives preserves the history of transcontinental travel to the Los Angeles region through the Mojave Desert of eastern California. Route 66, National Old Trails Road, the Mojave Wagon Road, the Santa Fe Railway (now BNSF), Union Pacific Railroad, and Interstate highways were and are major transit routes through the desert terminating in the Los Angeles basin. In the late 19th and early 20th centuries, Los Angeles area residents traveled through and returned to the Mojave Desert over these routes to deliver mail and supplies, engage in military campaigns, harvest natural resources, graze cattle, homestead, and run roadside businesses. Today, the Mojave serves as an important transit region for Angelenos seeking recreational opportunities in Las Vegas, on the Colorado River, or to simply enjoy the solitude and sublime beauty of our vast desert.