Lower to Middle Income

The Los Angeles County Metropolitan Transportation Authority's Library & Archive is the most comprehensive transit operator-owned library resource in the United States. As the only multimodal transportation library in Southern California, we serve employees, the public, governments and research institutions around the world. Our origins date back to the days of the Los Angeles Railway in 1890, but we were reintroduced to the public by the Southern California Rapid Transit District in 1971. Our collection contains approximately 250,000 items of significance to Los Angeles transportation history from 1873 to the present. This includes 45,000 books, reports, studies, conference proceedings, plans, maps, and drawings, 20,000 microfiche reports, more than 20,000 photographs and images, over 700 videos, several thousand ephemera, and a growing collection of publicly-accessible full-text digital documents. We collect, preserve,and provide access to archival materials from our predecessor transit agencies: Pacific Electric, Los Angeles Railway, Metropolitan Coach Lines, Los Angeles Transit Lines, Asbury Transit, Los Angeles Metropolitan Transit Authority, Southern California Rapid Transit District, and the Los Angeles County Transportation Commission

The Southern California Library for Social Studies and Research primarily documents and preserves the history of twentieth-century radicalism and social change through progressive movements in the greater Los Angeles area. The materials held by the library relate to the labor, peace, social justice, civil rights, women’s, gay and lesbian, and various other grassroots movements. While the library’s print holdings—numbering approximately thirty thousand books and three thousand periodical titles—range well beyond the subject of Los Angeles to socialism, Marxism, and the Cold War, its special collections focus on Los Angeles. These collections include twenty-five thousand pamphlets, fifteen hundred posters, two thousand photographs, one hundred documentary films, one hundred videos, thirty-five hundred audio tapes, organizational files for Los Angeles and national grassroots groups, and extensive subject files containing newspaper clippings, magazine articles, and reports. Among the library’s major archival collections are the papers of civil liberties defender Leo Gallagher, California Eagle editor and publisher Charlotta Bass, and Southern California Library for Social Studies and Research founders Emil and Tassia Freed, as well as papers from the Los Angeles chapter of the Civil Rights Congress, the Los Angeles Committee for the Protection of the Foreign Born, the Los Angeles International Ladies Garment Workers Union, and the Los Angeles Congress of Industrial Organizations. The archival collections on the Watts Rebellion of 1965, the Los Angeles chapter of the Black Panthers, and Chicano activism are heavily used, as are the documentary films of the 1930s from the Film and Photo League and those of the 1960s from the Newsreel (SDS) collective. The library is committed to making its collections on the multicultural history of Los Angeles widely available and to working with other institutions and organizations to ensure that a broadly based historical record of the city’s people is preserved for future generations.

The Edith R. Wyle Research Library of the Craft and Folk Art Museum (CAFAM) was donated to the L.A. County Museum of Art Research Library in December 1997 during a period of consolidation for the Museum. (CAFAM reopened in April 1999 under the auspices of the City of Los Angeles Cultural Affairs Department.) The Edith R. Wyle Library's holdings reflect the exhibiting and collecting interests of the Craft and Folk Art Museum. It's holdings pertaining to traditional folk art, international contemporary craft and design, professional museum practice, cultural diversity, and cultural context are significant. It's particular strengths are in the areas of Mexican and Japanese folk art, masks and masking worldwide, and the history of folk art and craft collecting. Altogether the Wyle Research Library's holdings comprise approximately 5,500 books as well as exhibition catalogs, journals, newspaper clipping and pamphlet files, posters, biographical files on contemporary craft artists (including slides), and biographical files on self-taught artists. In 1994 the Bead Society of Los Angeles donated its library collection of about 200 books, catalogs, and ephemera on beads.

Based in the Little Tokyo area of Downtown Los Angeles, VC was founded in 1970 by a group of pioneering independent filmmakers to record, collect, and preserve a visual record of Asian Pacific American cultural heritage. VC originally worked as a film collective, concentrating on honestly portraying accurate images of Asian Americans and meticulously capturing pivotal social movements. VC produced groundbreaking works about the Asian American experience, including: CHINATOWN 2-STEP, a documentary on the suburbanization of Chinese American community in Los Angeles and the role of the Chinatown Drum and Bugle Corps; MANONG, a film on the first generation Filipino American immigrants; and WATARIDORI, a documentary on early Japanese American immigrant pioneers. VC published three books, In Movement: A Pictorial History of Asian Pacific America, Little Tokyo: One Hundred Years in Pictures, and Moving the Image: Independent Asian Pacific American Media Arts. Productions were used for education and activism that addressed setting up ethnic studies programs on local campuses, city redevelopment issues, the redress campaign for Japanese Americans interned during World War II, and the declaration of martial law in the Philippines. VC’s own past in all media, narrative films, documentaries and educational projects are intertwined with the Asian Pacific American movements of the 1970s, and in itself represents a rich resource for researchers of the Asian Pacific American movements. The Archives’ purpose is to document the history of the organization by organizing, preserving, and creating access to a variety of media art and primary materials recording impactful political moments and depicting the Asian Pacific American heritage for staff use, as well as by scholars who are interested in Visual Communications’ role in the Asian American communities and history. The holdings include over 300,000 photographic images, 1,500 titles in the Media Resource Library, 100 films and videos produced by Visual Communications, and over 1,000 hours of oral histories of pan-Asian Pacific American content. As a valuable resource of Asian media art representations, The Archives is open to a wide variety of users, and we encourage the public, artists, filmmakers, students, faculty and others to pursue an intercultural understanding of the Asian American heritage. VC’s vision for the archives is to accurately reflect and represent the diversity of the American populace and to cement Asian Pacific American experiences in the historical record through the preservation, access, and dissemination of our materials, which provide historical context and insight of Asian Pacific American influence not only for Asian Pacific Americans, but also for all Americans. Please refer to our list of holdings for more information: http://fromthevcvault.wordpress.com/vc-archives-collections/

The Academy Film Archive is part of the Academy Foundation, the educational and cultural arm of the Academy of Motion Picture Arts and Sciences. Dedicated to the appreciation, study and preservation of our motion picture heritage, the Archive's activities include collection, preservation, documentation, exhibition and research access to films. The Academy announced its plan to collect motion pictures upon its founding in 1927 and made its first film acquisition two years later, in 1929. The Archive’s collection now includes over 140,000 items, covering some 70,000 individual titles. Many items within the Archive’s collection relate to the Los Angeles region, including: • Film and video documenting the history of the Academy and the Academy Foundation, including its public programs, lectures, symposia, and presentations. • Film, kinescope and videotape of Academy Awards ceremonies extending back to 1949, along with additional news material and special coverage of the awards show. • Films and film programs associated with the Student Academy Awards – a great number of which originate from Los Angeles film schools. Ongoing film festival collections, including the Latino International Film Festival and the PXL This! Pixelvision Film Festival Documentary film holdings include the collection of the International Documentary Association. Many of our documentary holdings feature subjects that are Los Angeles specific. Visual effects and technical achievements - through submissions for the Academy Awards process the Archive has acquired a substantial collection of visual effects reels, makeup and sound test reels, and film and video documentation of the Academy's Scientific and Technical Awards. Many materials from this collection were produced and crafted in the Los Angeles region. Home movies and amateur films, particularly those related to the history of Hollywood, the motion picture industry, and the history of the Los Angeles region.

The Max and Lore Zeller Library provides a specialized collection (including rare books) of over 6,500 volumes on Jungian psychology and related subjects: sandplay therapy, general psychology, anthropology, mythology, religion, alchemy, art and symbolism. The extensive book collection, 800 audio CDs, videotapes and DVDs, and 16 journals are available to the analytic community and the general public through an affordable membership fee. Library membership provides onsite access to the Archive for Research in Archetypal Symbolism (ARAS). Drawing upon C.G. Jung’s work on the archetype and the collective unconscious, ARAS is a pictorial and written archive of mythological, ritualistic, and symbolic images from all over the world and from all epochs of human history. The archive contains over 17,000 photographic images, each cross-indexed, and accompanied by scholarly commentary. The commentary includes a description of the image that serves to place it in its unique historical, cultural, and geographical setting. The ARAS commentaries honor both the universal patterns and specific cultural context associated with each image. The librarian is available to help steer readers toward their particular interests.

Thousands of images of Los Angeles, CA specializing in Santa Monica and Venice taken over the last 30 years. Images taken in the day, night, streets, ocean, architectural, communities, urban landscape, landscape. Digital files, silver gelatin prints, transparencies, archival pigment prints, mixed media works,

16 b/w photographic diptychs marrying images from the Venice Historic Society to modern images of Helen K. Garber. ©2012 Prints and digital files. Published as the 2013 Venice Community Calendar and exhibited at Universal Gallery, Venice, CA 2012, Photo LA, 2013

1000 image , Color, HD digital archive by 50 artists working and living in Southern CA. Under the direction of Helen K. Garber and in collaboration with MINARC/Gallery Skaart, each artist documented their residential city over the course of the year 2009 and each story was edited to 20 images by Nancy-Louise Jones and presented as part of the Group SC 2009 Installation. 4 rear projection screens were set up at 90 degree angles surrounding the center projection hub consisting of a 1955 trailer. The was found abandoned in the forest in Idyllwild, reclaimed and refurbished as a mixed media mobile projection hub. Duce, a renowned LA based graffiti writer, created a 4 side mural depicting the economic climate of the time, now nicknamed, the Great Recession. Miss Lucy the trailer, now resides in the permanent collection of the San Diego Automotive Museum, Balboa Park. The inaugural installation was at Opening Night, Month of Photography, 2010, Bergamont Station, Santa Monica, CA, Autumn Lights Festival, Pershing Square, 2010 and the Medium Festival of Photography, San Diego, 2013. The installation was designed to break down and move easily. The original concept was to exhibit the installation at all locations covered and then drive the installation across the country to the George Eastman House in Rochester, NY. Photographers used to go on a journey and bring back the documentation to home, here we reversed the concept by bringing the documentation of the photographers' homes on a journey. We also wanted to invite the artists to join in the journey, document along the way, create a sequel exhibition. Miss Lucy travelled no further than San Diego as monies were not to be found for cultural pursuits during the Great Recession, the project was set aside, and the trailer/screens donated to the San Diego Automotive Museum. The collection still owns the 4 projectors and DVD players that are needed to present the installation. Artists and cities covered: NORTH William Cates: Santa Ynez Valley Attasalina Dews: Ojai Kyoshi Becker Mckizzie: Antelope and Santa Clarita Valleys Colleen Caamaño/Joe Keppler: Shadow Hills Judith Ann Warren: Eagle Rock/Glendale Titano Cruz: Balboa Park Humming Birds, Encino Donald Loze: Santa Monica Mountains Lillian Elaine Wilson: Commuting: Burbank – Brentwood Rae Threat: North Hollywood Rose-Lynn Fisher: Abandoned Couches, Hollywood First Shots Fired: Hollywood Meg Madison: Hancock Park/Westlake WEST Jonas Jungblut: Isla Vista Jane Gottlieb: Santa Barbara Vinit Satyavrata: Ventura Joe McDougall: Malibu Cindy Bendat: Santa Monica Pier Helen K. Garber: Ocean Park, Santa Monica Nancy Louise Jones: Venice Chris Quilisch: Venice Alleyways Sara Jane Boyers: Santa Monica Airport Aline Smithson: West Los Angeles, Westwood, Cheviot Hills Nick Martinez: West Hollywood EAST Andrew Ty Lee: Koreatown Kiet Thai: Chinatown First Shots Fired: Downtown Los Angeles Stuart Rapeport: North Figueroa St, Highland Park Leslie Rosenthal: Rose Parade, Pasadena Don Davidson: Redlands Elizabeth Walker: Apple Valley/Victorville Rex Bruce: Twentynine Palms Nancy Baron: Palm Springs Jonde Northcutt & Helen K. Garber: Idyllwild SOUTH Dingo: Tattoo Parlors Nancy Louise Jones, Helen K. Garber: Trailers Shelley A. Gazin: Marina del Rey Tom Paiva: Culver City/Playa del Rey Ronnie Clark: Vermont Knolls, South Central Tom M. Johnson: Lakewood Nick Capaci: Santa Ana Jonde Northcutt: Santa Ana Gina Genis: Laguna Woods Retirement Community Lisa Folino: Newport Steven Churchill: San Diego At Night Thomas Antel: Anza Borrego TRAILER PAINTER Duce

The Museum of Social Justice is located in La Plaza Methodist Church, on the site of the oldest section of Los Angeles. The Museum’s historical collection consists of documents, photographs, artifacts, and other materials created by La Plaza Methodist Church at the beginning of the twentieth century. The collection features over 2000 photographs that capture the work of the founders of the church, its community center, and the predominantly poor Mexican immigrant population the church was founded to serve. The documents provide a look into the poor living conditions that existed near the Plaza and how La Plaza Church's social justice practices improved the lives of many of the immigrants living on and near the Plaza.