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University of Southern California, Digital Library

The Digital Library of the University of Southern California (formerly known as the Digital Archive, formerly known as ISLA) is an ongoing project that is building a virtual library of digitized multidisciplinary materials much of which has a focus on the Los Angeles region. Its search and retrieval software will allows these materials to be accessed using the parameters of space, time, keyword, format, or collection. The Digital Library includes: Images selected from maps and historical newspapers in the Huntington Library’s collection, including color maps created by the Works Progress Administration (WPA) in 1939, the Spanish-language newspaper El Clamor Publico (1855-1859), and the Los Angeles Star (1852-1863); photographs and maps from the Automobile Club of Southern California (1892-1963); photographs of artifacts from the archaeological collection (1880-1933) of the Chinese Historical Society of Southern California; and from the University of Southern California’s collections, including the California Historical Society Collection (photographs of Los Angeles, 1860-1960), the Hearst Collection (news photographs from the Los Angeles Examiner, 1920-1961), the Whittington Collection (commercial and architectural photographs, 1924-1987), the East Asian Library (Korean-American documents, photographs, and oral histories), the Gamble House in Pasadena (architectural drawings, photographs and other documents relative to the Greene & Greene architects) (1888-1944); Texts such as manuscript documents pertaining to the activities of the Los Angeles Ayuntamiento and City Council (Los Angeles City Archives, Untitled Records Series, 1820s-1890s), newspaper clippings from the Los Angeles Examiner (1920-1961), and master’s theses and doctoral dissertations about Los Angeles written by students at the University of Southern California (1920s-1990s); Data from the historical federal censuses though 1990 and the WPA’s household survey of 1940. Because the Digital Library has arranged to digitize materials that are the intellectual property of various individuals and institutions, the downloading of some items may be subject to restrictions.

Academy of Motion Picture Arts and Sciences, Academy Film Archive

The Academy Film Archive is part of the Academy Foundation, the educational and cultural arm of the Academy of Motion Picture Arts and Sciences. Dedicated to the appreciation, study and preservation of our motion picture heritage, the Archive's activities include collection, preservation, documentation, exhibition and research access to films. The Academy announced its plan to collect motion pictures upon its founding in 1927 and made its first film acquisition two years later, in 1929. The Archive’s collection now includes over 140,000 items, covering some 70,000 individual titles. Many items within the Archive’s collection relate to the Los Angeles region, including: • Film and video documenting the history of the Academy and the Academy Foundation, including its public programs, lectures, symposia, and presentations. • Film, kinescope and videotape of Academy Awards ceremonies extending back to 1949, along with additional news material and special coverage of the awards show. • Films and film programs associated with the Student Academy Awards – a great number of which originate from Los Angeles film schools. Ongoing film festival collections, including the Latino International Film Festival and the PXL This! Pixelvision Film Festival Documentary film holdings include the collection of the International Documentary Association. Many of our documentary holdings feature subjects that are Los Angeles specific. Visual effects and technical achievements - through submissions for the Academy Awards process the Archive has acquired a substantial collection of visual effects reels, makeup and sound test reels, and film and video documentation of the Academy's Scientific and Technical Awards. Many materials from this collection were produced and crafted in the Los Angeles region. Home movies and amateur films, particularly those related to the history of Hollywood, the motion picture industry, and the history of the Los Angeles region.

Group SC 2009, An Intimate View of Southern California

1000 image , Color, HD digital archive by 50 artists working and living in Southern CA. Under the direction of Helen K. Garber and in collaboration with MINARC/Gallery Skaart, each artist documented their residential city over the course of the year 2009 and each story was edited to 20 images by Nancy-Louise Jones and presented as part of the Group SC 2009 Installation. 4 rear projection screens were set up at 90 degree angles surrounding the center projection hub consisting of a 1955 trailer. The was found abandoned in the forest in Idyllwild, reclaimed and refurbished as a mixed media mobile projection hub. Duce, a renowned LA based graffiti writer, created a 4 side mural depicting the economic climate of the time, now nicknamed, the Great Recession. Miss Lucy the trailer, now resides in the permanent collection of the San Diego Automotive Museum, Balboa Park. The inaugural installation was at Opening Night, Month of Photography, 2010, Bergamont Station, Santa Monica, CA, Autumn Lights Festival, Pershing Square, 2010 and the Medium Festival of Photography, San Diego, 2013. The installation was designed to break down and move easily. The original concept was to exhibit the installation at all locations covered and then drive the installation across the country to the George Eastman House in Rochester, NY. Photographers used to go on a journey and bring back the documentation to home, here we reversed the concept by bringing the documentation of the photographers' homes on a journey. We also wanted to invite the artists to join in the journey, document along the way, create a sequel exhibition. Miss Lucy travelled no further than San Diego as monies were not to be found for cultural pursuits during the Great Recession, the project was set aside, and the trailer/screens donated to the San Diego Automotive Museum. The collection still owns the 4 projectors and DVD players that are needed to present the installation. Artists and cities covered: NORTH William Cates: Santa Ynez Valley Attasalina Dews: Ojai Kyoshi Becker Mckizzie: Antelope and Santa Clarita Valleys Colleen Caamaño/Joe Keppler: Shadow Hills Judith Ann Warren: Eagle Rock/Glendale Titano Cruz: Balboa Park Humming Birds, Encino Donald Loze: Santa Monica Mountains Lillian Elaine Wilson: Commuting: Burbank – Brentwood Rae Threat: North Hollywood Rose-Lynn Fisher: Abandoned Couches, Hollywood First Shots Fired: Hollywood Meg Madison: Hancock Park/Westlake WEST Jonas Jungblut: Isla Vista Jane Gottlieb: Santa Barbara Vinit Satyavrata: Ventura Joe McDougall: Malibu Cindy Bendat: Santa Monica Pier Helen K. Garber: Ocean Park, Santa Monica Nancy Louise Jones: Venice Chris Quilisch: Venice Alleyways Sara Jane Boyers: Santa Monica Airport Aline Smithson: West Los Angeles, Westwood, Cheviot Hills Nick Martinez: West Hollywood EAST Andrew Ty Lee: Koreatown Kiet Thai: Chinatown First Shots Fired: Downtown Los Angeles Stuart Rapeport: North Figueroa St, Highland Park Leslie Rosenthal: Rose Parade, Pasadena Don Davidson: Redlands Elizabeth Walker: Apple Valley/Victorville Rex Bruce: Twentynine Palms Nancy Baron: Palm Springs Jonde Northcutt & Helen K. Garber: Idyllwild SOUTH Dingo: Tattoo Parlors Nancy Louise Jones, Helen K. Garber: Trailers Shelley A. Gazin: Marina del Rey Tom Paiva: Culver City/Playa del Rey Ronnie Clark: Vermont Knolls, South Central Tom M. Johnson: Lakewood Nick Capaci: Santa Ana Jonde Northcutt: Santa Ana Gina Genis: Laguna Woods Retirement Community Lisa Folino: Newport Steven Churchill: San Diego At Night Thomas Antel: Anza Borrego TRAILER PAINTER Duce

Helen K. Garber Studio

Thousands of images of Los Angeles, CA specializing in Santa Monica and Venice taken over the last 30 years. Images taken in the day, night, streets, ocean, architectural, communities, urban landscape, landscape. Digital files, silver gelatin prints, transparencies, archival pigment prints, mixed media works,

Los Angeles United Methodist Museum of Social Justice

The Museum of Social Justice is located in La Plaza Methodist Church, on the site of the oldest section of Los Angeles. The Museum’s historical collection consists of documents, photographs, artifacts, and other materials created by La Plaza Methodist Church at the beginning of the twentieth century. The collection features over 2000 photographs that capture the work of the founders of the church, its community center, and the predominantly poor Mexican immigrant population the church was founded to serve. The documents provide a look into the poor living conditions that existed near the Plaza and how La Plaza Church's social justice practices improved the lives of many of the immigrants living on and near the Plaza.

Group LA 2008, An Intimate View of Los Angeles

25, 50 image stories that individual photographers created subjectively about their life and neighborhood in Los Angeles in the year 2008.The artists of GROUPLA 2008 include Geoffrey Baris, Larry Brownstein, Rose-Lynn Fisher, Lisa Folino, Helen K. Garber, Shelley A. Gazin, Monica Gazzo, Ken Haber, Robert Hale, David Healey, Mark Indig, Judy Lawne, Nancy-Louise Jones, Judy Lawne, Donald Loze, Meg Madison, Jim McHugh, David Meltzer, Ted Meyer, Rosalyn Miles, Tom Paiva, Stuart Rapeport, Leslie Rosenthal, Hamesh Shahani, Kiet Thai, Rae Threat and Lillian Elaine Wilson.

Southern California Genealogical Society

The SCGS Library holds nearly 40,000 volumes, with a relatively small portion of the material related to LA. We have published indices to cemetery records, vital (birth, death and marriage) records, and immigration and naturalization. We provide free access to some data on our website. The Society is in the midst of a project to recreate the 1890 Census for Los Angeles County. The census records were lost in a fire in Washington DC, and our project is an attempt to recreate this valuable historical and genealogical resource. The 1890 data base will include vital records (births, deaths, marriage); cemetery records; city directories for the communities in the county; immigration and naturalization records; military records; voting records (Great Register); educational records; educational, social and fraternal societies; personal family records; and the flagship data, an every-name index of the Los Angeles Times from January 1, 1890 through December 31 of that year. New sources, as they are uncovered, will be added to this rich resource.

All the Saints of the City of the Angels

Collection Description: An historical and poetic road trip through the cultural heritage of Los Angeles, via its hundred streets named for saints. Contending that the history of a place resides in its names, "All the Saints" seeks the points of convergence between the stories of the saints and the histories of the streets which bear their names. The results are rendered in painting and story. Thus far, over 100 paintings and dozens of essays have been collected into a major coffee table book (published by Heyday Books, 2008) and an exhibition at the Autry Museum (through September 2008); as well as a website, public installations, and adssorted merchandise.

Shelley Gazin

Cross-section of Urban population and events including portraits of Creative Professional, Entrepreneurs, Scientists, Political & Religious Leaders, Persian-Americans

Santa Monica History Museum

The Santa Monica Historical Society was founded in 1975 as part of the city’s centennial celebration with the mission of collecting and preserving the history, art and culture of the Santa Monica Bay Area. In 1988, a Museum was established to house the Society’s growing collections of artifacts, documents, rare books, newspapers, textiles, artwork, and photographic images. Currently, the Museum’s Image Archives comprise over 500,000 photographs and negatives depicting the local history of Santa Monica, Ocean Park, Santa Monica Canyon, Pacific Palisades, Malibu, Venice and Marina del Rey. The Outlook Newspaper Collection, one of the Museum’s primary holdings, consists of newspapers in hardcopy and on microfilm, extensive files by people and subject headings, and an estimated 400,000 photographs and negatives. Operating from 1875 at the time of the city’s founding until 1998 when the publication ceased its operations, the daily newspaper covered local, regional, state and national events. With an award-winning staff of professional photographers, the newspaper produced a significant archive of images that comprehensively portray the cultural, political and social life of the Santa Monica Bay Area communities. In addition, the archive contains images of major events taking place in the greater Los Angeles area, including cultural affairs, politics, features, sports, celebrities, presidential visits and conventions, the Los Angeles riots and earthquakes, fires and floods. The Museum also houses the collections of Outlook Newspaper photographers Bill Beebe, consisting of approximately 75,000 images from the 1930s to the 1960s, and Bob Smith, consisting of approximately 6,000 images from the 1960s to the 1990s. The Museum’s Image Archives also include publisher Diane Margolin’s City Scene images, the Santa Monica Chamber of Commerce Collection and the Museum’s extensive collection of early Santa Monica photographs.