Armenian Descent

Academy of Motion Picture Arts and Sciences, Academy Film Archive

The Academy Film Archive is part of the Academy Foundation, the educational and cultural arm of the Academy of Motion Picture Arts and Sciences. Dedicated to the appreciation, study and preservation of our motion picture heritage, the Archive's activities include collection, preservation, documentation, exhibition and research access to films. The Academy announced its plan to collect motion pictures upon its founding in 1927 and made its first film acquisition two years later, in 1929. The Archive’s collection now includes over 140,000 items, covering some 70,000 individual titles. Many items within the Archive’s collection relate to the Los Angeles region, including: • Film and video documenting the history of the Academy and the Academy Foundation, including its public programs, lectures, symposia, and presentations. • Film, kinescope and videotape of Academy Awards ceremonies extending back to 1949, along with additional news material and special coverage of the awards show. • Films and film programs associated with the Student Academy Awards – a great number of which originate from Los Angeles film schools. Ongoing film festival collections, including the Latino International Film Festival and the PXL This! Pixelvision Film Festival Documentary film holdings include the collection of the International Documentary Association. Many of our documentary holdings feature subjects that are Los Angeles specific. Visual effects and technical achievements - through submissions for the Academy Awards process the Archive has acquired a substantial collection of visual effects reels, makeup and sound test reels, and film and video documentation of the Academy's Scientific and Technical Awards. Many materials from this collection were produced and crafted in the Los Angeles region. Home movies and amateur films, particularly those related to the history of Hollywood, the motion picture industry, and the history of the Los Angeles region.

Go For Broke National Education Center

The Go For Broke National Education Center holds more than 1,150 life history interviews of Americans of Japanese ancestry who served in the United States Army in WWII. Many of the veterans interviewed were born and raised in Los Angeles and the surrounding area. Their videotaped interviews provide us with stories about the neighborhoods in which they lived and worked, the larger Japanese American Community in and around Los Angeles, both the Japanese and American cultures that shaped and molded their identity, values their parents taught them, a unique minority viewpoint of a pre-war and post-war Los Angeles, their experiences as soldiers in the U.S. Army in WWII and much more. Often the veterans contributed photographs and documents to complement their stories. The Go For Broke National Education Center would like to offer access to researchers, adding to the rich history of our city, our state and our country. Incorporated in 1989, Japanese American World War II veterans established the 100th/442nd/MIS WWII Memorial Foundation, now the Go For Broke National Education Center, to build the Go For Broke Monument. The Monument, the first of its kind on the mainland U.S., includes more than 16,000 names of Japanese American soldiers and officers who served overseas during World War II. It was unveiled in June 1999 and is located in downtown Los Angeles at Temple and Alameda streets. The Go For Broke National Education Center today focuses on providing a place and means by which all people can share their stories and recognize how the legacy of their lives contributes to the history of Los Angeles and the American ideals of freedom and equal opportunity for all. Go For Broke offers several programs to educate the public on this important time in history, including: A Tradition of Honor Teacher Training Program, Hanashi Oral History Program, Resource Center, Go For Broke Monument and other media projects. Go For Broke National Education Center is a 501(c)3 nonprofit organization.

Group SC 2009, An Intimate View of Southern California

1000 image , Color, HD digital archive by 50 artists working and living in Southern CA. Under the direction of Helen K. Garber and in collaboration with MINARC/Gallery Skaart, each artist documented their residential city over the course of the year 2009 and each story was edited to 20 images by Nancy-Louise Jones and presented as part of the Group SC 2009 Installation. 4 rear projection screens were set up at 90 degree angles surrounding the center projection hub consisting of a 1955 trailer. The was found abandoned in the forest in Idyllwild, reclaimed and refurbished as a mixed media mobile projection hub. Duce, a renowned LA based graffiti writer, created a 4 side mural depicting the economic climate of the time, now nicknamed, the Great Recession. Miss Lucy the trailer, now resides in the permanent collection of the San Diego Automotive Museum, Balboa Park. The inaugural installation was at Opening Night, Month of Photography, 2010, Bergamont Station, Santa Monica, CA, Autumn Lights Festival, Pershing Square, 2010 and the Medium Festival of Photography, San Diego, 2013. The installation was designed to break down and move easily. The original concept was to exhibit the installation at all locations covered and then drive the installation across the country to the George Eastman House in Rochester, NY. Photographers used to go on a journey and bring back the documentation to home, here we reversed the concept by bringing the documentation of the photographers' homes on a journey. We also wanted to invite the artists to join in the journey, document along the way, create a sequel exhibition. Miss Lucy travelled no further than San Diego as monies were not to be found for cultural pursuits during the Great Recession, the project was set aside, and the trailer/screens donated to the San Diego Automotive Museum. The collection still owns the 4 projectors and DVD players that are needed to present the installation. Artists and cities covered: NORTH William Cates: Santa Ynez Valley Attasalina Dews: Ojai Kyoshi Becker Mckizzie: Antelope and Santa Clarita Valleys Colleen Caamaño/Joe Keppler: Shadow Hills Judith Ann Warren: Eagle Rock/Glendale Titano Cruz: Balboa Park Humming Birds, Encino Donald Loze: Santa Monica Mountains Lillian Elaine Wilson: Commuting: Burbank – Brentwood Rae Threat: North Hollywood Rose-Lynn Fisher: Abandoned Couches, Hollywood First Shots Fired: Hollywood Meg Madison: Hancock Park/Westlake WEST Jonas Jungblut: Isla Vista Jane Gottlieb: Santa Barbara Vinit Satyavrata: Ventura Joe McDougall: Malibu Cindy Bendat: Santa Monica Pier Helen K. Garber: Ocean Park, Santa Monica Nancy Louise Jones: Venice Chris Quilisch: Venice Alleyways Sara Jane Boyers: Santa Monica Airport Aline Smithson: West Los Angeles, Westwood, Cheviot Hills Nick Martinez: West Hollywood EAST Andrew Ty Lee: Koreatown Kiet Thai: Chinatown First Shots Fired: Downtown Los Angeles Stuart Rapeport: North Figueroa St, Highland Park Leslie Rosenthal: Rose Parade, Pasadena Don Davidson: Redlands Elizabeth Walker: Apple Valley/Victorville Rex Bruce: Twentynine Palms Nancy Baron: Palm Springs Jonde Northcutt & Helen K. Garber: Idyllwild SOUTH Dingo: Tattoo Parlors Nancy Louise Jones, Helen K. Garber: Trailers Shelley A. Gazin: Marina del Rey Tom Paiva: Culver City/Playa del Rey Ronnie Clark: Vermont Knolls, South Central Tom M. Johnson: Lakewood Nick Capaci: Santa Ana Jonde Northcutt: Santa Ana Gina Genis: Laguna Woods Retirement Community Lisa Folino: Newport Steven Churchill: San Diego At Night Thomas Antel: Anza Borrego TRAILER PAINTER Duce

Hugh M. Hefner Moving Image Archive

USC began its film program in 1929 and we house all the produced student films as well as Educational and Hollywood films dating back to the 1910's. Individual collections include unique production documents and ephemera, including photographs, set design art, legal documents. Many parts of Los Angeles have been represented such as Kent MacKenzies Bunker Hill 1956.

Getty Research Institute, Research Library

Located on the Getty Center campus in Brentwood, the Research Library at the Getty Research Institute focuses on the history of art, architecture, and archaeology from prehistory to the contemporary period. Presently, the collections are strongest in the history of western European art and culture in Europe and North America; however, in recent years, they have expanded to include other areas, such as Latin America, Eastern Europe, and selected regions of Asia. The library's foundation lies in its special collections of original documents and objects. Recent acquisitions and initiatives have documented developments during the postwar years in Southern California. The special collections include contemporary artists' photographers' by Los Angeles artists; archives and manuscripts of Southern California artists, writers, and curators such as Sam Francis, Robert Irwin, and Henry Hopkins; archives of art publications such as High Performance magazine; prints, drawings, and multiples, including a complete set of those produced by Los Angeles Contemporary Exhibitions; rare photographs and photographers’ archives, such as Charles Brittin's; architectural drawings and comprehensive archives such as John Parkinson's drawings for Union Station, the Walt Disney Concert Hall documentation, the Pierre Koenig and John Lautner archives, and the Julius Shulman Photography Archive highlighting Los Angeles architecture. Documenting the advanced art that put Los Angeles and Southern California on the map of the international art world, Long Beach Museum of Art Video Archive, now part of the Research Library's collections, contains close to 5000 tapes and supporting files.

Group LA 2008, An Intimate View of Los Angeles

25, 50 image stories that individual photographers created subjectively about their life and neighborhood in Los Angeles in the year 2008.The artists of GROUPLA 2008 include Geoffrey Baris, Larry Brownstein, Rose-Lynn Fisher, Lisa Folino, Helen K. Garber, Shelley A. Gazin, Monica Gazzo, Ken Haber, Robert Hale, David Healey, Mark Indig, Judy Lawne, Nancy-Louise Jones, Judy Lawne, Donald Loze, Meg Madison, Jim McHugh, David Meltzer, Ted Meyer, Rosalyn Miles, Tom Paiva, Stuart Rapeport, Leslie Rosenthal, Hamesh Shahani, Kiet Thai, Rae Threat and Lillian Elaine Wilson.

Shelley Gazin

Cross-section of Urban population and events including portraits of Creative Professional, Entrepreneurs, Scientists, Political & Religious Leaders, Persian-Americans

Historical Society of the Crescenta Valley

Documents and photos relating to the history of the Crescenta Valley. The La Crescenta Valley Historical Society has a lot of materials on the New Years Flood of 1934, and the town of Montrose, plus some materials on the American portrait artist S. Seymour Thomas.

Glendale Public Library, Special Collections

The Glendale History Room at the Downtown Central Glendale Library, Arts & Culture Library contains monographs about the City of Glendale and its history, clippings from newspapers published in the Glendale area, historical photographs, and ephemera related to community events and organizations. Materials about neighboring cities and Los Angeles County-adjacent counties.  Materials written by local authors part of the collection. In addition to scrapbooks assembled by local organizations and

individuals, the archival holdings include the personal papers of Carroll “Mr. Glendale” Parcher (1903–1992), who was at various times the editor of the Glendale News-Press, a member of the city council, and the city’s mayor; and the papers of Dora Verdugo (1882–1984), who was the great-granddaughter of Jose Verdugo, the original recipient in 1784 of the Spanish land grant for the property on which the City of Glendale is located.