Italian

The Edith R. Wyle Research Library of the Craft and Folk Art Museum (CAFAM) was donated to the L.A. County Museum of Art Research Library in December 1997 during a period of consolidation for the Museum. (CAFAM reopened in April 1999 under the auspices of the City of Los Angeles Cultural Affairs Department.) The Edith R. Wyle Library's holdings reflect the exhibiting and collecting interests of the Craft and Folk Art Museum. It's holdings pertaining to traditional folk art, international contemporary craft and design, professional museum practice, cultural diversity, and cultural context are significant. It's particular strengths are in the areas of Mexican and Japanese folk art, masks and masking worldwide, and the history of folk art and craft collecting. Altogether the Wyle Research Library's holdings comprise approximately 5,500 books as well as exhibition catalogs, journals, newspaper clipping and pamphlet files, posters, biographical files on contemporary craft artists (including slides), and biographical files on self-taught artists. In 1994 the Bead Society of Los Angeles donated its library collection of about 200 books, catalogs, and ephemera on beads.

USC began its film program in 1929 and we house all the produced student films as well as Educational and Hollywood films dating back to the 1910's. Individual collections include unique production documents and ephemera, including photographs, set design art, legal documents. Many parts of Los Angeles have been represented such as Kent MacKenzies Bunker Hill 1956.

Collection Description: Virginia Robinson Gardens, built in 1911, was the first estate in Beverly Hills. Today, it is listed on the national registry of historic sites. Social doyenne, art collector and philanthropist Mrs. Virginia Robinson resided in the house for thirty years and, before her death in 1977, she gave it to Los Angeles County for the public to enjoy. This historic estate, which includes her home, complete with her extensive collection of American and European fine and decorative arts and surrounding garden, continues to attract visitors from around the world. There are tours for adults and a special children's tour for third graders. In addition, the Gardens hosts lectures and educational series that include talks by scholars, gardening classes, and visits to other significant cultural and botanical sites in the Los Angeles area. The collection consists of art objects personally acquired by Mrs. Robinson and her husband Mr. Harry Robinson. The estate houses a significant library, objects from France, India and Italy (among other countries) and a collection of china and glassware. The 6 acres of garden surrounding the house is bursting with diverse plants and flowers from around the world and remains one of the main attractions of this unique historic site. The Robinson Gardens enriches not only the city of Beverly Hills but the entire county of Los Angeles. Its popularity continues to grow as the staff works towards making the site better known and more accessible to the public.

Located on the Getty Center campus in Brentwood, the Research Library at the Getty Research Institute focuses on the history of art, architecture, and archaeology from prehistory to the contemporary period. Presently, the collections are strongest in the history of western European art and culture in Europe and North America; however, in recent years, they have expanded to include other areas, such as Latin America, Eastern Europe, and selected regions of Asia. The library's foundation lies in its special collections of original documents and objects. Recent acquisitions and initiatives have documented developments during the postwar years in Southern California. The special collections include contemporary artists' photographers' by Los Angeles artists; archives and manuscripts of Southern California artists, writers, and curators such as Sam Francis, Robert Irwin, and Henry Hopkins; archives of art publications such as High Performance magazine; prints, drawings, and multiples, including a complete set of those produced by Los Angeles Contemporary Exhibitions; rare photographs and photographers’ archives, such as Charles Brittin's; architectural drawings and comprehensive archives such as John Parkinson's drawings for Union Station, the Walt Disney Concert Hall documentation, the Pierre Koenig and John Lautner archives, and the Julius Shulman Photography Archive highlighting Los Angeles architecture. Documenting the advanced art that put Los Angeles and Southern California on the map of the international art world, Long Beach Museum of Art Video Archive, now part of the Research Library's collections, contains close to 5000 tapes and supporting files.

Collections include 5,000+ oral histories in 250 projects, representing geographical, ethnic, political, religious, and social communities of selected Orange County, Los Angeles, Southern California, and Western US locales. Topics include community histories, environmental studies, including Sierra Club, Laguna Beach Greenbelt, Bolsa Chica, ethnic studies (African American, Native American, Mexican American, Japanese American, Judaica Studies, Vietnamese Americans), politics and government (Orange County politics, conservative women), society and culture (sulf culture, surf music, women with silicone breast implants, sports and society in Cold War Southern California, theater, baseball, women in long-term marriages, transformation of grocery stores, and new wave in Czechoslovakian film, 1990s UCI fertility clinic scandal, Mormon colonies in Mexico), just to name a few.

Since 1912, Western Costume Company has supplied costumes for film, television, stage, and school productions. In 1915, this costume house established the first production research library. Today the library’s holdings document what people around the world have worn throughout the ages. The library’s archival holdings consist of costume sketches, historic costumes, and the Twentieth Century Fox costume still collection from the late 1930s -1970s.

Subject strengths: local history, wine, cookbooks, poetry, botany, mycology, philosophy, art and architecture. Collections: University Archives, Cal Poly Rose Float Collection, Wine Industry Collection, The Thomas Pinney Collection of wine books and wine related research files, the United Farm Workers Collection, Virginia Hamilton Adair Collection, First Edition Collection, John Gill Modern Poetry Collection, Abraham Kaplan Collection, League of Women Voters (East San Gabriel Valley) Collection, Academic Senate Archive, Low magazine archive (student underground newspaper), Cal Poly Women's Club, Student Wives Club, Voorhis School for Boys, Voorhis Family, Robert Lawrence Balzer Collection, World Menu Collection, Kennedy Collection, Humphrey Mycology Collection. Campus History: Cal Poly Pomona was originally founded in San Dimas in 1938, as an all male agricultural/horticultural southern branch campus of California Polytechnic State University, San Luis Obispo. In 1949 the college acquired the W.K. Kellogg Arabian Horse Ranch in Pomona where it moved the campus in 1956. In 1961 it went coed and in 1966 separated from San Luis Obispo. In 1972, California State Polytechnic University, Pomona was awarded full university status. The University Archives, which document this history includes: photographs, books, records, memorabilia, architectural drawings, sound and video recordings, newspaper clippings and scrapbooks. The University Archives also include materials from the Voorhis School for Boys--the San Dimas institution for orphaned and underprivileged boys that originally inhabited the site of what later became the San Dimas/Voorhis campus of Cal Poly San Luis Obispo. Charles Voorhis built the school and his son H. Jerry Voorhis was headmaster. The school operated from 1928 to 1938, when Jerry Voorhis was elected to Congress. In 1938 Charles Voorhis donated the school facility to Cal Poly San Luis Obispo to be its Southern California branch. This permitted students to gain experience with cultivation of important "sub-tropical" crops such as oranges. Materials include photographs, film, video, DVDs, books, files, memorabilia, and architectural drawings. The Wine Industry Collection documents all aspects of the wine industry in Southern California, beginning with the Missions. This collection includes books, journals, newspapers, photographs, oral histories, posters, files, winery memorabilia, video recordings, news clippings, wine labels, wine bottles, medals, and wine club newsletters.

One of the world’s largest public collections of Arabian horse materials, the W.K. Kellogg Arabian Horse Library collection consists of materials in print and non-print format. The collection is intended to be used as a research facility by the University community as well as all who are interested in the Arabian horse. The WKKAHL collection does not circulate, though exceptions may be made for special circumstances. The Library also maintains a small Arabian horse art collection, which includes paintings, drawings, and sculpture. The collection includes current, as well as rare and out-of-print books, pamphlets, artwork, brochures, newsletters, videotapes, DVDs, periodicals, newspapers, photographs, letters, manuscripts, and reports pertaining to the Arabian horse. An extensive selection of foreign and domestic stud books are in the W.K. Kellogg Arabian Horse Library. Stud books from governmental and private registries are included, as are stud books from breeding programs no longer in existence. Periodicals are a significant element of the collection. Newsletters from many Arabian horse clubs are maintained; Arabian horse breeders farm brochures are also kept. The collection also includes video, such as farm movies, video magazines, and feature films. The WKKAHL houses two special collections. The W.K. Kellogg Arabian Horse Ranch Papers include files on the history of the Ranch and breeding program, as well as an assortment of materials that document and give insight into W.K. Kellogg’s life with Arabian horses, including video footage, artifacts, newspaper clippings, press releases, scrapbooks, personal correspondence, realia, and ephemera. The Gladys Brown Edwards Collection includes art (paintings, drawings, sculpture) and books written and acquired by Gladys Brown Edwards, as well as articles by and about her.

Access to the archival and artifact collections of the Autry National Center Museum of the American West and the Southwest Museum of the American Indian is through the Institute for the Study of the American West's Autry Library or Braun Research Library. The Autry Library collects books, sound recordings, and printed materials related to the history, geography, fine arts, and material, popular and consumer culture of the American West. Archival materials and artifacts related to Los Angeles cover Spanish California, and Southern California history, tourism, and industry. The museum's strongest archival collection documents the West of the imagination and the Hollywood cowboy. Materials in the collection include posters, scripts, press kits, fan letters, costume designs, scrapbooks, and publicity stills that document the growth of the film and television industry as well as key personalities in the field. The Braun Research Library supports the activities of the Southwest Museum of the American Indian. This renowned collection is strong in the fields of ethnology, archaeology, linguistics, folklore, and the history of Arizona, California, and the Southwest. It collection related to Southern California includes books and serials on tribal histories, government, and social life and customs of the native peoples, a large photo archive, more than 700 wax cylinder recordings of Mexican American and Native American songs recorded by Charles F. Lummis between 1895 and 1912 in the Southern California area, manuscript materials strong in local history and the history of American anthropology. The collection includes approximately 50,000 books and serials, 2,000 sound recordings, 3,000 maps, 147,000 photographs, 3,000 works of art on paper, and 700 manuscript collections.

The Museum of Television & Radio, with locations in New York and Los Angeles, is a non-profit organization founded by William S. Paley to collect and preserve television and radio programs and advertisements and to make them available to the public. Since opening in 1976, the museum has organized exhibitions, screening and listening series, seminars, and education classes to showcase its collection of over 100,000 television and radio programs and advertisements. In 2001, the museum initiated a process to acquire Internet programming for the collection. Programs in the museum's permanent collection are selected for their artistic, cultural, and historic significance.