Middle to Upper Income

Craft and Folk Art Museum Edith R. Wyle Research Library Collection

The Edith R. Wyle Research Library of the Craft and Folk Art Museum (CAFAM) was donated to the L.A. County Museum of Art Research Library in December 1997 during a period of consolidation for the Museum. (CAFAM reopened in April 1999 under the auspices of the City of Los Angeles Cultural Affairs Department.) The Edith R. Wyle Library's holdings reflect the exhibiting and collecting interests of the Craft and Folk Art Museum. It's holdings pertaining to traditional folk art, international contemporary craft and design, professional museum practice, cultural diversity, and cultural context are significant. It's particular strengths are in the areas of Mexican and Japanese folk art, masks and masking worldwide, and the history of folk art and craft collecting. Altogether the Wyle Research Library's holdings comprise approximately 5,500 books as well as exhibition catalogs, journals, newspaper clipping and pamphlet files, posters, biographical files on contemporary craft artists (including slides), and biographical files on self-taught artists. In 1994 the Bead Society of Los Angeles donated its library collection of about 200 books, catalogs, and ephemera on beads.

Palos Verdes Local History Center

The Local History Collection for the Palos Verdes Library District focuses on the social and cultural history of the Palos Verdes Peninsula from 1920 to the present. This fairly extensive collection includes rare books, photographs, maps, blueprints, loose-leaf materials, scrapbooks, newspaper clip-pings, telephone books, and oral history interviews—all relating to the Palos Verdes Peninsula.

Academy of Motion Picture Arts and Sciences, Academy Film Archive

The Academy Film Archive is part of the Academy Foundation, the educational and cultural arm of the Academy of Motion Picture Arts and Sciences. Dedicated to the appreciation, study and preservation of our motion picture heritage, the Archive's activities include collection, preservation, documentation, exhibition and research access to films. The Academy announced its plan to collect motion pictures upon its founding in 1927 and made its first film acquisition two years later, in 1929. The Archive’s collection now includes over 140,000 items, covering some 70,000 individual titles. Many items within the Archive’s collection relate to the Los Angeles region, including: • Film and video documenting the history of the Academy and the Academy Foundation, including its public programs, lectures, symposia, and presentations. • Film, kinescope and videotape of Academy Awards ceremonies extending back to 1949, along with additional news material and special coverage of the awards show. • Films and film programs associated with the Student Academy Awards – a great number of which originate from Los Angeles film schools. Ongoing film festival collections, including the Latino International Film Festival and the PXL This! Pixelvision Film Festival Documentary film holdings include the collection of the International Documentary Association. Many of our documentary holdings feature subjects that are Los Angeles specific. Visual effects and technical achievements - through submissions for the Academy Awards process the Archive has acquired a substantial collection of visual effects reels, makeup and sound test reels, and film and video documentation of the Academy's Scientific and Technical Awards. Many materials from this collection were produced and crafted in the Los Angeles region. Home movies and amateur films, particularly those related to the history of Hollywood, the motion picture industry, and the history of the Los Angeles region.

C. G. Jung Institute of Los Angeles, Max and Lore Zeller Library

The Max and Lore Zeller Library provides a specialized collection (including rare books) of over 6,500 volumes on Jungian psychology and related subjects: sandplay therapy, general psychology, anthropology, mythology, religion, alchemy, art and symbolism. The extensive book collection, 800 audio CDs, videotapes and DVDs, and 16 journals are available to the analytic community and the general public through an affordable membership fee. Library membership provides onsite access to the Archive for Research in Archetypal Symbolism (ARAS). Drawing upon C.G. Jung’s work on the archetype and the collective unconscious, ARAS is a pictorial and written archive of mythological, ritualistic, and symbolic images from all over the world and from all epochs of human history. The archive contains over 17,000 photographic images, each cross-indexed, and accompanied by scholarly commentary. The commentary includes a description of the image that serves to place it in its unique historical, cultural, and geographical setting. The ARAS commentaries honor both the universal patterns and specific cultural context associated with each image. The librarian is available to help steer readers toward their particular interests.

Helen K. Garber Studio

Thousands of images of Los Angeles, CA specializing in Santa Monica and Venice taken over the last 30 years. Images taken in the day, night, streets, ocean, architectural, communities, urban landscape, landscape. Digital files, silver gelatin prints, transparencies, archival pigment prints, mixed media works,

Venice: Yesterday/Today or still crazy after all these years

16 b/w photographic diptychs marrying images from the Venice Historic Society to modern images of Helen K. Garber. ©2012 Prints and digital files. Published as the 2013 Venice Community Calendar and exhibited at Universal Gallery, Venice, CA 2012, Photo LA, 2013

Group SC 2009, An Intimate View of Southern California

1000 image , Color, HD digital archive by 50 artists working and living in Southern CA. Under the direction of Helen K. Garber and in collaboration with MINARC/Gallery Skaart, each artist documented their residential city over the course of the year 2009 and each story was edited to 20 images by Nancy-Louise Jones and presented as part of the Group SC 2009 Installation. 4 rear projection screens were set up at 90 degree angles surrounding the center projection hub consisting of a 1955 trailer. The was found abandoned in the forest in Idyllwild, reclaimed and refurbished as a mixed media mobile projection hub. Duce, a renowned LA based graffiti writer, created a 4 side mural depicting the economic climate of the time, now nicknamed, the Great Recession. Miss Lucy the trailer, now resides in the permanent collection of the San Diego Automotive Museum, Balboa Park. The inaugural installation was at Opening Night, Month of Photography, 2010, Bergamont Station, Santa Monica, CA, Autumn Lights Festival, Pershing Square, 2010 and the Medium Festival of Photography, San Diego, 2013. The installation was designed to break down and move easily. The original concept was to exhibit the installation at all locations covered and then drive the installation across the country to the George Eastman House in Rochester, NY. Photographers used to go on a journey and bring back the documentation to home, here we reversed the concept by bringing the documentation of the photographers' homes on a journey. We also wanted to invite the artists to join in the journey, document along the way, create a sequel exhibition. Miss Lucy travelled no further than San Diego as monies were not to be found for cultural pursuits during the Great Recession, the project was set aside, and the trailer/screens donated to the San Diego Automotive Museum. The collection still owns the 4 projectors and DVD players that are needed to present the installation. Artists and cities covered: NORTH William Cates: Santa Ynez Valley Attasalina Dews: Ojai Kyoshi Becker Mckizzie: Antelope and Santa Clarita Valleys Colleen Caamaño/Joe Keppler: Shadow Hills Judith Ann Warren: Eagle Rock/Glendale Titano Cruz: Balboa Park Humming Birds, Encino Donald Loze: Santa Monica Mountains Lillian Elaine Wilson: Commuting: Burbank – Brentwood Rae Threat: North Hollywood Rose-Lynn Fisher: Abandoned Couches, Hollywood First Shots Fired: Hollywood Meg Madison: Hancock Park/Westlake WEST Jonas Jungblut: Isla Vista Jane Gottlieb: Santa Barbara Vinit Satyavrata: Ventura Joe McDougall: Malibu Cindy Bendat: Santa Monica Pier Helen K. Garber: Ocean Park, Santa Monica Nancy Louise Jones: Venice Chris Quilisch: Venice Alleyways Sara Jane Boyers: Santa Monica Airport Aline Smithson: West Los Angeles, Westwood, Cheviot Hills Nick Martinez: West Hollywood EAST Andrew Ty Lee: Koreatown Kiet Thai: Chinatown First Shots Fired: Downtown Los Angeles Stuart Rapeport: North Figueroa St, Highland Park Leslie Rosenthal: Rose Parade, Pasadena Don Davidson: Redlands Elizabeth Walker: Apple Valley/Victorville Rex Bruce: Twentynine Palms Nancy Baron: Palm Springs Jonde Northcutt & Helen K. Garber: Idyllwild SOUTH Dingo: Tattoo Parlors Nancy Louise Jones, Helen K. Garber: Trailers Shelley A. Gazin: Marina del Rey Tom Paiva: Culver City/Playa del Rey Ronnie Clark: Vermont Knolls, South Central Tom M. Johnson: Lakewood Nick Capaci: Santa Ana Jonde Northcutt: Santa Ana Gina Genis: Laguna Woods Retirement Community Lisa Folino: Newport Steven Churchill: San Diego At Night Thomas Antel: Anza Borrego TRAILER PAINTER Duce

Yosemite National Park Archive

Several Los Angeles engineering and architectural firms were involved in the design of buildings, bridges, and other iconic features of Yosemite National Park. From 1923-1927, the National Park Service Landscape Division was located in the offices of the Underwood Building on Spring Street in LA. Architect Gilbert Stanley Underwood and Landscape Engineer Daniel P. Hull collaborated on several national park projects including the construction of Yosemite's Ahwahnee Lodge. Los Angeles resident and architect Charles T. Gutleben developed designs for cables on Half Dome, and his company also was involved in other Yosemite projects including the construction of the Rangers Club, the Yosemite Museum, Le Conte Memorial Lodge, and many of the bridges in Yosemite Valley. The Yosemite Archives contains correspondence, plans, and drawings referring to many of these projects.

Los Angeles County Arboretum & Botanic Garden

The Los Angeles County Arboretum & Botanic Garden has a large archive of historic photographs relating to Rancho Santa Anita, Elias J.(Lucky) Baldwin and this history of the Arboretum. It also holds thephotographic archive of William Chrisman Aplin (1912-1993) a photographer who worked for Sunset magazine and photographed extensively the plants and gardens of Southern California.